Showing posts with label The Sunny Seamstress. Show all posts
Showing posts with label The Sunny Seamstress. Show all posts

Monday, May 14, 2012

This Year's "Laundry" List


By December 16th: A 14th-century gown worthy of a lady of Laketown

By November 17th: 1 1860s mourning dress + bonnet w/veil + 1 silk ballgown

By September 1st: Redo skirt on 1860s navy gown, finish trim on top of navy gown.

By July 8th: 1770s stays + take-in 1770s short-gown

By June 22nd: 1 1950s dress for my sister (Happy 25th, kid!)

By THIS SATURDAY (May 18th): 1 Renaissance bodice + under-petticoat COMING RIGHT UP!!!!

[Maggie to Sami: "WHY ARE WE CRAZY??!!"  Sami to Maggie: "Because we're awesome!"]

See y'all on the other side! (I'll try & post pics . . . :-/)


Sunday, June 19, 2011

The Ball Gown Epic - A Journey in Pictures

My OCD cutting-out process
A lovely - and surpisingly easy to understand - Kay Fig bodice pattern
Sami helped me fit the lining to my body, then we cut the fabric from there.  I pieced it on the machine that night.
I was amazed at the difference fitting it to one's corseted form makes.
Back seams and boning channels.

Car-sewing the piping on during my Great Midwest Adventure.

And ever-more piping! Took FOREVER.
Didn't use a pattern for the skirt - Sami showed me how to do respectable knife-pleats.  Per period photos I looked at, I pleated toward the middle-front in the front, box-pleats on the side, then towards the middle-back in the back.  I had pleated one whole side before I realized I had pleated in the wrong direction and had to start over . . .

Wish I had a picture of working on the sleeves. . . It took me a couple tries.  Everything is pinned together in this pic but it was starting to come together!

Spent the day of the SDI ball at Sami's house, frantically finishing eyelets & trim, + attaching the darn thing to the skirt.

When sombody at the ball asked where I "ordered" it, I knew I'd done something right.

Wish I'd had time to add some matching pink trim to the skirt - oh well.  There's always other balls ;-D  An Epic Journey, one wherein I continually surprised myself.  Couldn't have done it without Sami, though!  

Sunday, April 3, 2011

The Winchester Canon

Reenacting has brought many amazing people into my life.  One of them is my partner in hardcore crime, the Sunny Seamstress (who blogs here and here), who's just as crazy as I am when it comes to de-farbing camp, eating period-correct food, and obsessing over tiny details of historical accuracy in our costume choices.  We also find that reenacting in "first-person" really helps inspire our research and adds an extra edge of challenge and fun to events.

One of the brilliant ideas Sunny, or "Adah" as I more-often call her, came up with was that we would write letters back and forth in character, tracing our respective journeys from the election of 1860 'til (God willin' and the creek don't rise...) the end of the war.  Adah insisted that we write them all out in our best Spencerian ("Spencerian?  What, like, swirly-letters?" said I . . .), with pen-and-ink, if possible.  After a few tries, this letter writing has turned into quite a project:

Being the Literature Major/Author that I am, I came up with 2-3 pages of back-story for my character, Margaret-Ellen Hamilton Copeland of Hillsborough, VA (near where I used to live in Purcellville).  Adah came up with about as much, and right now we are writing as long-separated childhood friends from Hillsborough & Alexandria, respectively.  We will both eventually end up in Winchester, VA - just in time for the mid-days of the war and the muster of our unit, the 18th VA Cavalry, in 1863.  We call our character-world "The Winchester Canon," a title which will remain ironic until Spring 1862 or so, when my character will move to Winchester for reasons which will be revealed in the future.

Thus, in order to write my letters, I bring out "Beleaguered Winchester,"  (a book on civilians in Frederick County during the War) for help with character atmosphere, "The Recollections and Letters of Robert E. Lee" for style reference, "The Civil War Almanac" to keep my timeline straight, and the original 1828 Webster Dictionary for vocab. help.  This in addition to the several web-pages I keep open on my iPhone: 1860s farming research, an 1861 calendar, and an example of Spencerian penmanship.

I told you I was crazy.



I write out everything long-hand in a journal before I commit it to ink-and-paper, so I can craft a good letter w/o having to worry about the handwriting, as well as have a good copy of my letter once the finished product has been mailed.  I've been getting better at the Spencerian (practice makes perfect), and am really enjoying getting to know both of our characters in depth.  

Which is why we've figured that maybe it's time to share the wealth.  Beginning this week (if all goes according to plan), I will begin transcribing our existing letters onto their very own blogspot.  We hope that the rest of you will enjoy reading about the Adventures of Adah and Margaret-Ellen as much as we have enjoyed writing them.  I will post new letters as they become available.  Check-back in a couple days to begin the journey through time.


Thursday, February 24, 2011

Typing Through my Time-Machine-Lag (Knott's Encampment, 2011)



My friend Miss M. says that "spending a weekend at a reenactment is like hitting Life's reset button."  For a few days work, bills, and other concerns fade away into the light of campfires and the smell of woodsmoke, hay, lye soap, and canvas.  One's cares are condensed into remembering one's research for the benefit of the public, keeping the fire under your laundry-water going, and praying that the rainclouds pass you by.  No fashion-statements to make, no deadlines to remember, no alarm clocks - just an enthusiastic rooster at 6:30am on-the-dot.

The Knott's Encampment almost didn't happen this year.  For one reason or another, most of the troop wasn't planning on coming, but the few crazy "hardcores" in the group, chafing for action after a long winter season (well, long for us So.Cal. types.  I guess you East-Coasters still have to wait 'til around April.  HAH!), wanted to make a weekend of it anyway.  We planned to take advantage of our smaller numbers by planning a period-correct menu (no sandwiches or pasta salad allowed!), a farb-free tents, and hoped to practice our 1st-person impressions on an unsuspecting public.

Then the weather man predicted rain.   This being So.Cal., everybody panicked.  4 of our originally-planned 8 participants dropped out.  Half of that 4 didn't plan on camping.  But the few, the happy few - namely, me and the Sunny Seamstress, refused to give in.  We'd been sewing and planning and cooking and gosh-darnit we were gonna see this event through if it drowned us.  I took off Friday afternoon to try and get everything in my truck and set-up in camp before the rains came (they were predicted to start @ 5pm).

Of COURSE the first droplets hit my windshield at 3pm, just as I was pulling away from my house, "Gettysburg" soundtrack blaring.  But, thanks to the Seamstress and a couple brave Yanks, we got camp set-up without TOO much soakage. 

You can see the nice dip in the canvas where the water started collecting almost right away.  But Sunny & I put buckets under the leaks and refused to fret.  We bunked in our tent, protected by a ground-layer of tarping, canvas, and (*farb alert*) plastic bags, while most of the bold men and boys of both armies retired to motel rooms and "tin teepees."  We stayed remarkably dry, considering.  We sewed and chewed on sugared ginger and held a "sing-off," taking turns singing folk songs we could remember, until a strong gust of wind called us out into the wet to re-stake 4 fly-poles.  Then it was time to retreat to the sleeping bags.
Next morning, our leak-catching buckets were full:


But the sun was shining against-all-odds, the public showed-up despite the relative lack of reenactors, and there was breakfast to be made and laundry to be done!

It took all four of us to figure out a good strategy for keeping the fire going long enough for our oatmeal, but by 10:30 we had made breakfast and had started the water boiling for my load of whites:



Hauling my own water is always an interesting part of the laundress-impression.  Sometimes I can get the boys to volunteer to haul the necessary 10+ gallons, but I was on my own this time.  That is, on my own only until I beguiled a kindly Yank to help me finish my haul.  A hearty Southern "thankee" to D. of the California 100!

 I didn't work as hard at the laundry on Saturday because the public was relatively sparse, and I knew my clothes had no chance of drying before the rains came again:



But we did get in at least one delicious period-camp-food dinner and some time for spinning before the skies broke:

Bacon, corn-bread, and "Hoppin' John:" a mix of black-eyed peas, brown rice, and more bacon :-D

Sunday was the day that really hit-it-out of the park for me as far as reenacting experiences go.  The weather was warm and gorgeous, the public was really engaging, and the dearth of other civilian portrayals meant that my display got a lot of traffic.  I stumbled on my "spiel" the first time someone tried recording me, but the by the 3rd & 4th times I had it down.  The kids were the best:

They were incredibly exicted and eager to come stand on an upturned bucket behind the display and help me wash the last of my clothes.  Once you let them wash once piece, they wanted to hang around until the last little article was scrubbed, rinsed, wrung and hung.  I'm thrilled by the idea that I helped bring their minds into history in the same fun and creative spirit with which long-ago Civil War reenactors inspired me to love history when I was that age.


I also got the "laundry process" down pretty well on Sunday.  I was helped by the fact that there aren't any scheduled battles at Knotts, so one can pretty much continue one's impression for hours without the public disappearing at regular intervals.  I started with cold, clean water and mild soap for the Lieutenant's woolen trousers, gradually adding warm water and harsher soap as I got towards the dirtier, heartier fabrics.  By the time I got to the ultra-soiled dishrags, the water was nicely boiling, so I threw out most of the cold, dirty water, poured in all the boiling water and a lump of lye soap, then "agitated" the clothes with a wooden spoon for a good 15 minutes.  Another 20 minutes of scrubbing per item brought out most of the cast-iron-and-bacon-grease stains . . . and by that time I'd been going at it for 3.5 hours and was plain bushed:

I took up my spinning again, but still drew a bit of a crowd that'd never seen a drop-spindle in action before. I was able to tie it into the practice of Southern women patriotically showing-off their homespun dresses, and was bemused listening to a couple of Indian families comment to their children that "that is exactly how Gandhi used to do it."  The Sunny Seamstress was asked a question about her costume, and she had the bright idea of stripping down to her undergarments (*gasp of Victorian horror*) to demonstrate all the layering that went into a dress of the era.  Of course, the minute her dress came off the small crowd of 5 grew to something like 30, and even after she had finished the demonstration the crowd stayed put, firing off questions for another 20 minutes.  It was really incredible to feel like we were helping to educate and enlighten those that listened to us rattle off our half-confident answers about mourning practices, laundry, mending, cooking, and "days-in-the-life."  

The last hour was quiet enough, filled mostly with picturesque food, including Miss M's delicious "Martha Washington Cake:






We packed up and came home. We put away the washboards, jars, cast-iron, and cage-hoops. And Sunny Seamstress and I awarded ourselves the "Plum Craziest Pair of Hardcore Reenactors We Ever Did Know in 2011" trophy.  Being young and vain, we browsed the web and tried to find pictures of ourselves and stories about the weekend.

 Now come the weeks of what I like to call "time-machine lag," when one listens to nothing but roots-music and can think of nothing but what one's next sewing project should be.  It can be hard to "reset" oneself back into contemporary life.

Which is why I'm glad I only have to wait 8 more days 'til the next reenactment. 

With much affection,

M.E.H. Copeland
Company Laundress


Sunday, February 13, 2011

Welcome to the Preenactment...


Preenactment: n. the weekend before a reenactment, usually filled with various and sundry reenacting-oriented projects, only 50% of which will actually be finished before zero-hour.

This weekend consisted of finishing off the button-holes and hem for my new workdress.  Tah-Dah!  (It only took me 3 months to make...). 
           
I made the mistake of going to Joanne's to pick up more thread.  After being sucked into the vortex of New-Seamstress-Retail-Doom (40% off final purchase coupons!!), I came home with this new fabric in my bag (NO idea how they got there):

 So, I decided the dress needed something - maybe a bonnet?  I set to work:
Then, of course the cat wanted in on the action:
I ended up having to call for back-up in the form of the Sunny Seamstress, who cheerfully spent this afternoon coaxing me through my first slat-bonnet.  Here we have the finished product modeled by a local:
Self-titled, "Bro-Peep"

The Seamstress also helped wax the inside of my washtub (a two-person Preenactment task if there ever was one) and together we planned the menu for Knotts.  Now I just have to pick up laundry to wash from various non-participants in the troop, wash my dresses, collect and pack my various sundries and I'm ready for the first reenactment of the year!  

At this point in the game I always wish I had done more research - my book on Winchester civilians is still languishing, and my laundress manual isn't near memorized.  This is where the improv skills learned in acting classes at LBCC come in handy.